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EXTRAS

Not every project needs a full case study. This is a collection of shirts, posters, sports graphics, album artwork, and other one-off projects I’ve worked on along the way.

Some were made for clients, some were personal projects, and some were just ideas I wanted to see brought to life.

Shirt Designs

A mix of shirt graphics created for different projects, clients, and ideas. Apparel gives me a chance to push illustration and typography a little further and create something that still works when it’s stripped down to one graphic on a shirt.

A mix of shirt graphics created for different projects, clients, and ideas. Apparel gives me a chance to push illustration and typography a little further and create something that still works when it’s stripped down to one graphic on a shirt.

Antique Fire Engine

Busky Run Wild

Mighty Ducks Mascot

Recent Poster Designs

Posters are one of my favorite places to experiment because there’s usually more room to play with type, imagery, texture, and layout. These are a mix of promotional pieces, sports graphics, event posters, and other designs that didn’t need a full project page of their own.

Posters are one of my favorite places to experiment because there’s usually more room to play with type, imagery, texture, and layout. These are a mix of promotional pieces, sports graphics, event posters, and other designs that didn’t need a full project page of their own.

STRANGE TIMES

Album Artwork

I created the album artwork for Stereo Ready’s Strange Times, building the look around the uneasy feeling behind the album. The hand-drawn illustration, distressed type, muted colors, and rough textures were meant to give it an old underground zine feel.

I carried the same style across the front cover, back cover, and interior artwork so the full record felt like one complete piece instead of just a standalone cover.

I created the album artwork for Stereo Ready’s Strange Times, building the look around the uneasy feeling behind the album. The hand-drawn illustration, distressed type, muted colors, and rough textures were meant to give it an old underground zine feel.

I carried the same style across the front cover, back cover, and interior artwork so the full record felt like one complete piece instead of just a standalone cover.